niform

Interactive installation, 2007-2022
Samuel Bianchini

Engineering (image capture and treatment): Colin Bouvry (2020-2022 version), Adrien Mazaud (2012 version), ExperiensS - Thomas Bouaziz and Yoan Leyris (2007 version)
Technical production (2012 version): Yann Creac’h
Assistant (2007 version): Oussama Mubarak

Original photograph: Jérémie Giniaux-Kats

A CiTu, Dispothèque, Numeriscausa and Bouillants co-production, with the scientific collaboration of the Laboratoire d’Informatique pour la Mécanique et les Sciences de l’Ingénieur (LIMSI-CNRS), with the advice and support of Sylvie Tissot, Paul Girard and Stéphane Maguet

This project was funded in part by the Ministry of Culture & Communication (DICRéAM program) and the City of Paris.
The 2020 version use the Zilhouette software developped by Colin Bouvry in the framework of the Reflective Interaction Group of EnsadLab, laboratory of The École nationale supérieure des Arts Décoratifs (EnsAD), PSL University (Paris Sciences et Lettres) with the support of The Chaire arts & sciences of École polytechnique, EnsAD-PSL and Daniel and Nina Carasso Foundation.

Thanks to Didier Bouchon, Antonio Gallego, Vincent Gautier, Cyrille Henry, Christian Jacquemin, Jason Karaïndros, Julie Miguirditchian, Hercules Papaioannou

An artwork dedicated to Alain Declercq
 

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niform is an interactive installation. In a large dark room, an image takes up the entire wall opposite the spectators. The image, at first still and out of focus, is composed of a group of some twenty, life-sized men. Rendering the image homogeneous is not only its blurriness, but also the uniform clothing of the line of policemen standing in riot gear. The spectators’ movements impact the coming-into-focus of the image: as they approach, and depending on the shape of their bodies, different parts of the facing image become increasingly sharper. Standing less than fifty centimeters from the image, the spectator finds himself face to face with a representative of law and order. The image does not have only one focal point or depth of field, but several at once. These, however, are localized and individualized: they vary depending on the position of the different spectators. Starting with a uniform image, each viewer reveals, with his approach, a singular human being, an individual who stands facing him.


 

 

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niform, Samuel Bianchini, 2007-2022
Benaki Museum Pireos, Athens, Greece
In the framework of the Athens Photo Festival 2022
Curator: Hercules Papaioannou
with the support of Rosa-Luxemburg-Stiftung
Photos: © Samuel Bianchini - ADAGP



 


 

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niform, Samuel Bianchini, 2007-2022
MOMus, Museum of Contemporary Art, Thessaloniki, Greece
in the framework of The PhotoBiennale 2021, October 2021
Curator: Hercules Papaioannou
with the support of Rosa-Luxemburg-Stiftung
Photographs: © Samuel Bianchini - ADAGP



 


 

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niform, Samuel Bianchini, 2007-2020
Centre Georges Pompidou, Paris, February 2020
"Hors Pistes - Le peuple des images" Exhibition, curator: Géraldine Gomez
Photographs: © Samuel Bianchini - ADAGP

 

 

 


 

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niform, Samuel Bianchini, 2007
Grandes Galeries de l’École régionale des Beaux-Arts de Rouen, France, show with Antonio Gallego, from May to June, 2007.
Photographs: © Samuel Bianchini - ADAGP

 




niform, Samuel Bianchini, 2007
Grandes Galeries de l’École régionale des Beaux-Arts de Rouen, from May to June, 2007.
Video - 3mn10s - High band request
Images and editing: © Samuel Bianchini

 

 

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niform, Samuel Bianchini, 2007
Grandes Galeries de l’École régionale des Beaux-Arts de Rouen, France, show with Antonio Gallego, from May to June, 2007.
Photographs: © Samuel Bianchini - ADAGP


 


 


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niform, Samuel Bianchini, 2007-2012
Bouillants #4: Frontières, collective exhibition, Le Volume, Vern-sur-Seiche, France, from April to May, 2012.
Photographs: © Samuel Bianchini - ADAGP