Snakable
Samuel Bianchini, Robotic Cable, 2020-2022
Exhibition: BioMedia - The Age of Media with Life-like Behavior
ZKM | Center for Art and Media, Karlsruhe
December 18, 2021 - August 28, 2022
Curators: Peter Weibel, Sarah Donderer and Daria Mille
Information about the exhibition (eng): here
Information about the artwork (eng): here
Informations sur l'œuvre (fr): ici
Project developed in the framework of the Reflective Interaction Research Group of Ensadlab, laboratory of the École nationale supérieure des Arts Décoratifs (EnsAD–Université Paris Sciences et Lettres) in partnership with the École nationale supérieure de mécanique et des microtechniques (ENSMM), S.MART Franche-Comté, AS2M department / Joint Service of Mechanics / FEMTO-ST Institute with the support of the Chaire Arts & Sciences of the École polytechnique, the EnsAD – PSL and the Fondation Daniel et Nina Carasso.
Full credits: here | Crédits complets : ici
Snakable, Samuel Bianchini (EnsadLab), 2020-2022
niform
Samuel Bianchini, Interactive installation, 2007-2022
Benaki Museum Pireos, Athens, Greece
In the framework of the Athens Photo Festival 2022
Pireos 138, Athina 118 54, Greece
June 08 - July 24, 2022
Curator: Hercules Papaioannou
An interactive installation upgraded with a software developed by Colin Bouvry
More information about the exhibition (eng): here
More information about the artwork (eng): here
Plus d'informations sur l'œuvre (fr): ici
niform, Samuel Bianchini, 2007 - 2022
Benaki Museum Pireos, Athens, Greece
In the framework of the Athens Photo Festival 2022
Photos: © Samuel Bianchini - ADAGP
The 23rd Player
Samuel Bianchini, Robotic Ball Prototype, 2012
Exhibition: Playmode
CCBB – Centro Cultural Banco do Brasil
Rua Primeiro de Março, 66 - Centro - Rio de Janeiro
19 July - 12 October 2022
Curators: Filipe Pais and Patrícia Gouveia
Information about the exhibition (portuguese): here
Information about the artwork (eng): here
Informations sur l'œuvre (fr): ici
The 23rd Player, Samuel Bianchini, 2012
Photos: © Samuel Bianchini - ADAGP
Sniper
Samuel Bianchini, interactive dispositif, 1999
upgraded in 4K (UHD) by Oussama Mubarak
with the support of the ZKM | Center for Art and Media, Karlsruhe
Exhibition: “Non-Matter, Anti-Matter. Past Exhibitions as Digital Experiences”
Tirana Art Lab - Center for Contemporary Art
Tulla - Culture Center
in the framework of the project Beyond Matter led by the ZKM with a “virtual” display of the Iconoclash exhibition (2002)
June 26, 2022 - August 28, 2022
Information about the European project (eng): here
Information about the exhibition (eng): here
Information about the artwork (eng): here
Plus d'informations sur l'œuvre (fr): ici
Online access to the artwork (responsive version): here
Sniper, Samuel Bianchini, 1999
Out Of Frame [Hors Cadre]
Samuel Bianchini and Didier Bouchon, robotic frame, 2015
produced in the framework of EnsadLab, laboratory of The École des Arts Déco, Paris
Exhibition: “À l'italienne …”
L'Avant Galerie Vossen
58 rue Chapon, 75003 Paris
June 16 - July 31, 2022
Curator: Caroline Vossen with the advices of Albertine Meunier
Exhibition information (fr): ici
More information about the work (eng): here
Plus d'informations sur l'œuvre (fr): ici
Out of Frame [Hors Cadre], Samuel Bianchini and Didier Bouchon (EnsadLab), 2015
PUBLICATION / CONFÉRENCE
Olivain Porry, Samuel Bianchini, Florent Levillain, COCOCOCO. Faire œuvre avec des collectifs d’objets à comportements colocalisés et communicants, in Armen Khatchatourov, Olaf Avenati, Pierre-Antoine Chardel et Isabelle Queval (dir.), Corps connectés. Figures, fragments, discours, Ed. Presses des Mines avec l'ésad (École supérieure d'art et de design de Reims), Paris, 2022, pp. 24-37. Couv. : Discontrol Party #3, Dispositif festif interactif conçu et réalisé sous la direction de Samuel Bianchini, micadanses, Paris, février 2018. Photo : Alain Declercq.
Plus d'informations sur cet ouvrage (fr.) : ici
Alice Jarry, Marie-Pier Boucher, Samuel Bianchini, Géraldine Gomez, Brice Ammar-Khodja, Alexandra Bachmayer Théo Chauvirey, Maria Chekhanovich, Matthew Halpenny, Raphaëlle Kerbrat, Vanessa Mardirossian, Philippe Vandal, Lee Wilkin, Fossilation: Nurturing Slow Expectations, Riverside Architectural Press, Toronto, 2022.
To download the publication (eng): here
Beautés oscillantes.
La recherche de mouvements comportementaux expressifs pour les objets d'arts robotisés
Samuel Bianchini, mercredi 20 juillet 2022 matin
Dans le cadre du colloque Beautés vitales - Pour une approche contemporaine de la beauté, sous la direction de Anne-Lise Worms et Clélia Zernik
du vendredi 15 juillet (19h) au jeudi 21 juillet (14h) 2022
Plus d'informations sur le colloque : ici
DOCUMENTATION
NEW PROJECTS - RECENT EXHIBITIONS
Visible Hand
Samuel Bianchini, Connected installation, 2016
Exhibition: Morocco Numerica
Place des Nations-Unies, Casablanca, May 25 - 27, 2022
Curators: Mohamed Rachdi and Majid Seddati
Information about the work (eng): here
Informations sur l'œuvre (fr): ici
Visible Hand, Samuel Bianchini, 2016
Morocco Numerica, Place des Nations-Unies, Casablanca, May 2022
Photo: Samuel Bianchini
The Appprentices
Robotic and instrumental dispositif, 2022
A project designed by Samuel Bianchini, Elena Tosi Brandi and Hugo Scurto with the collaboration of Franck Weens, Corentin Loubet and Jeffrey Becker, in the context of a research partnership between Orange's Art Direction Nods team (Xdlab) and the Reflective Interaction research group of EnsadLab, the research laboratory of the École nationale supérieure des Arts Décoratifs (Université Paris Sciences et Lettres)
Exhibition: Biennale internationale du design de Saint Etienne
April - June 2022
Information about the work and full credits (eng): here
Informations sur l'œuvre et crédits complets (fr): ici
The Appprentices, Biennale internationale du design, St Etienne, April 2022
Photos: Samuel Bianchini
