Dispotheque | Samuel Bianchini | 2022-07

Snakable

Samuel Bianchini, Robotic Cable, 2020-2022

Exhibition: BioMedia - The Age of Media with Life-like Behavior

ZKM | Center for Art and Media, Karlsruhe

December 18, 2021 - August 28, 2022
Curators: Peter Weibel, Sarah Donderer and Daria Mille

Information about the exhibition (eng): here
Information about the artwork (eng): here
Informations sur l'œuvre (fr): ici

Project developed in the framework of the Reflective Interaction Research Group of Ensadlab, laboratory of the École nationale supérieure des Arts Décoratifs (EnsAD–Université Paris Sciences et Lettres) in partnership with the École nationale supérieure de mécanique et des microtechniques (ENSMM), S.MART Franche-Comté, AS2M department / Joint Service of Mechanics / FEMTO-ST Institute with the support of the Chaire Arts & Sciences of the École polytechnique, the EnsAD – PSL and the Fondation Daniel et Nina Carasso.
Full credits: here | Crédits complets : ici

Snakable, Samuel Bianchini (EnsadLab), 2020-2022

niform

Samuel Bianchini, Interactive installation, 2007-2022

Benaki Museum Pireos, Athens, Greece

In the framework of the Athens Photo Festival 2022

Pireos 138, Athina 118 54, Greece
June 08 - July 24, 2022
Curator: Hercules Papaioannou
An interactive installation upgraded with a software developed by Colin Bouvry

More information about the exhibition (eng): here
More information about the artwork (eng): here
Plus d'informations sur l'œuvre (fr): ici

niform, Samuel Bianchini, 2007 - 2022
Benaki Museum Pireos, Athens, Greece
In the framework of the Athens Photo Festival 2022
Photos: © Samuel Bianchini - ADAGP

The 23rd Player

Samuel Bianchini, Robotic Ball Prototype, 2012

Exhibition: Playmode

CCBB – Centro Cultural Banco do Brasil

Rua Primeiro de Março, 66 - Centro - Rio de Janeiro
19 July - 12 October 2022
Curators: Filipe Pais and Patrícia Gouveia

Information about the exhibition (portuguese): here
Information about the artwork (eng): here
Informations sur l'œuvre (fr): ici

The 23rd Player, Samuel Bianchini, 2012
Photos: © Samuel Bianchini - ADAGP

Sniper

Samuel Bianchini, interactive dispositif, 1999

upgraded in 4K (UHD) by Oussama Mubarak
with the support of the ZKM | Center for Art and Media, Karlsruhe

Exhibition: “Non-Matter, Anti-Matter. Past Exhibitions as Digital Experiences”
Tirana Art Lab - Center for Contemporary Art
Tulla - Culture Center

in the framework of the project Beyond Matter led by the ZKM with a “virtual” display of the Iconoclash exhibition (2002)
June 26, 2022 - August 28, 2022

Information about the European project (eng): here
Information about the exhibition (eng): here
Information about the artwork (eng): here
Plus d'informations sur l'œuvre (fr): ici
Online access to the artwork (responsive version): here

Sniper, Samuel Bianchini, 1999

Out Of Frame [Hors Cadre]

Samuel Bianchini and Didier Bouchon, robotic frame, 2015

produced in the framework of EnsadLab, laboratory of The École des Arts Déco, Paris

Exhibition: “À l'italienne …”
L'Avant Galerie Vossen

58 rue Chapon, 75003 Paris
June 16 - July 31, 2022
Curator: Caroline Vossen with the advices of Albertine Meunier

Exhibition information (fr): ici
More information about the work (eng): here
Plus d'informations sur l'œuvre (fr): ici

Out of Frame [Hors Cadre], Samuel Bianchini and Didier Bouchon (EnsadLab), 2015

PUBLICATION / CONFÉRENCE

Olivain Porry, Samuel Bianchini, Florent Levillain, COCOCOCO. Faire œuvre avec des collectifs d’objets à comportements colocalisés et communicants, in Armen Khatchatourov, Olaf Avenati, Pierre-Antoine Chardel et Isabelle Queval (dir.), Corps connectés. Figures, fragments, discours, Ed. Presses des Mines avec l'ésad (École supérieure d'art et de design de Reims), Paris, 2022, pp. 24-37. Couv. : Discontrol Party #3, Dispositif festif interactif conçu et réalisé sous la direction de Samuel Bianchini, micadanses, Paris, février 2018. Photo : Alain Declercq.

Plus d'informations sur cet ouvrage (fr.) : ici

Alice Jarry, Marie-Pier Boucher, Samuel Bianchini, Géraldine Gomez, Brice Ammar-Khodja, Alexandra Bachmayer Théo Chauvirey, Maria Chekhanovich, Matthew Halpenny, Raphaëlle Kerbrat, Vanessa Mardirossian, Philippe Vandal, Lee Wilkin, Fossilation: Nurturing Slow Expectations, Riverside Architectural Press, Toronto, 2022.

To download the publication (eng): here

Beautés oscillantes.
La recherche de mouvements comportementaux expressifs pour les objets d'arts robotisés

Samuel Bianchini, mercredi 20 juillet 2022 matin
Dans le cadre du colloque Beautés vitales - Pour une approche contemporaine de la beauté, sous la direction de Anne-Lise Worms et Clélia Zernik
du vendredi 15 juillet (19h) au jeudi 21 juillet (14h) 2022

Plus d'informations sur le colloque : ici

DOCUMENTATION

NEW PROJECTS - RECENT EXHIBITIONS

Visible Hand

Samuel Bianchini, Connected installation, 2016

Exhibition: Morocco Numerica

Place des Nations-Unies, Casablanca, May 25 - 27, 2022
Curators: Mohamed Rachdi and Majid Seddati

Information about the work (eng): here
Informations sur l'œuvre (fr): ici

Visible Hand, Samuel Bianchini, 2016
Morocco Numerica, Place des Nations-Unies, Casablanca, May 2022
Photo: Samuel Bianchini

The Appprentices

Robotic and instrumental dispositif, 2022
A project designed by Samuel Bianchini, Elena Tosi Brandi and Hugo Scurto with the collaboration of Franck Weens, Corentin Loubet and Jeffrey Becker, in the context of a research partnership between Orange's Art Direction Nods team (Xdlab) and the Reflective Interaction research group of EnsadLab, the research laboratory of the École nationale supérieure des Arts Décoratifs (Université Paris Sciences et Lettres)