Design des signes.
De l'œuvre à l'usage
“accès)s( cultures électroniques” Festival
Le Bel Ordinaire, Pau, October 12 - November 27, 2022
Curator: Jean-Jacques Gay
Guest Artist: Samuel Bianchini
Information à propos de l'exposition (french only): ici
A Présent (Félix Guattari)
Samuel Bianchini, Installation, 2017
with the collaboration of Pascal Viel (CEA)
Information about the artwork (eng): here
Informations sur l'œuvre (fr): ici
Prendre vie(s) | Taking Life, Making Life
Samuel Bianchini, Artificial Life Apparatus, 2022
with the collaboration of Colin Bouvry and Léon Denise
nformation about the artwork (eng): here
Informations sur l'œuvre (fr): ici
Pour l'instant | For the Moment
Samuel Bianchini, Installation, 1995
Information about the artwork (eng): here
Informations sur l'œuvre (fr): ici
Snakable
Samuel Bianchini, Robotic Cable, 2020-2022
Information about the artwork (eng): here
Informations sur l'œuvre (fr): ici
Project developed in the framework of the Reflective Interaction Research Group of Ensadlab, laboratory of the École nationale supérieure des Arts Décoratifs (EnsAD–Université Paris Sciences et Lettres) in partnership with the École nationale supérieure de mécanique et des microtechniques (ENSMM), S.MART Franche-Comté, AS2M department / Joint Service of Mechanics / FEMTO-ST Institute with the support of the Chaire Arts & Sciences of the École polytechnique, the EnsAD – PSL and the Fondation Daniel et Nina Carasso.
Full credits: here | Crédits complets : ici
Enseigne | Sign [Typescript]
Samuel Bianchini, in situ Installation, 2012
Marché de Pau, October - November 2022
Médiathèque de Pau, November 2022 - January 2023
Information about the artwork (eng): here
Informations sur l'œuvre (fr): ici
The 23rd Player
Samuel Bianchini, Robotic Ball Prototype, 2012
Exhibition: Playmode
CCBB – Centro Cultural Banco do Brasil
Rua Álvares Penteado, 112 - Centro Histórico - São Paulo
26 October 2022 - 16 January 2023
Curators: Filipe Pais and Patrícia Gouveia
Information about the exhibition (portuguese): here
Information about the artwork (eng): here
Informations sur l'œuvre (fr): ici
Sniper
Samuel Bianchini, Interactive Dispositif, 1999
upgraded in 4K (UHD) by Oussama Mubarak
with the support of the ZKM | Center for Art and Media, Karlsruhe
Exhibition: “Matter. Non-Matter. Anti-Matter. Past Exhibitions as Digital Experiences”
ZKM | Center for Art and Media, Karlsruhe
in the framework of the project Beyond Matter led by the ZKM
with a new display of the Iconoclash exhibition (2002), 2 December 2022 - 23 April 2023
Information about the exhibition (eng): here
Information about the artwork (eng): here
Plus d'informations sur l'œuvre (fr): ici
Online access to the artwork (responsive version): here
DOCUMENTATION
NEW PROJECTS - RECENT EXHIBITIONS
Poursuite
Samuel Bianchini, Lighting Dispositif, 2006-2022
“accès)s( cultures électroniques” Festival
La Halle de Billère
11 - 16 October, 2022
Curator: Jean-Jacques Gay
Information à propos de l'exposition (french only): ici
Information about the work (eng): here
Informations sur l'œuvre (fr): ici
Dissect #3
Part round table, part live performance, a multidisciplinary debate with works of contemporary art and design staged in an experimental dispositif, 2019
From an original idea of Samuel Bianchini and Emanuele Quinz, developed by the Reflective Interaction research group of EnsadLab, the laboratory of the École Nationale Supérieure des Arts Décoratifs (EnsAD), PSL University, Paris.
Dissect #3 was the 2nd of November 2022 at Tieranatomische Theater of the Humboldt University (Berlin) in the framework of the Berlin Science Week with the artwork "Amygdala" of Marco Donnarumma, with the presence of the artist, with the interventions of the neurosurgeon Thomas Picht, the theater scholar Maaike Bleeker, the art historian Horst Bredekamp, the computer scientist Johann Habakuk Israel, the anthropologist Joffrey Becker and the philosopher Margrit Shildrick. Moderators : Patricia Ribault (weißensee school of art and design berlin) and Samuel Bianchini (École des Arts Décoratifs - PSL University).
Information and documentation about the project (eng): here
Informations et documentation sur le projet : ici
information about the event: here
Dissect #3. Photos: Alexandra Ruppert
Dissect #4
Part round table, part live performance, a multidisciplinary debate with works of contemporary art and design staged in an experimental dispositif, 2019
From an original idea of Samuel Bianchini and Emanuele Quinz, developed by the Reflective Interaction research group of EnsadLab, the laboratory of the École Nationale Supérieure des Arts Décoratifs (EnsAD), PSL University, Paris.
Dissect #4 was the 4th of November 2022 at Tieranatomische Theater of the Humboldt University (Berlin) in the framework of the Berlin Science Week in cooperation with Tomás Saraceno with the interventions of the arachnologist Peter Jäger, the researcher in Cultural Studies Martin Müller, the microbiologist Regine Hengge, the artist and researcher Alice Jarry, the behavioral ecologist Alex Jordan, the socio-legal scholar Xenia Chiaramonte, and the spiders of the TA T., with the moderation of Patricia Ribault (weißensee school of art and design berlin) and Emanuele Quinz (Université Paris 8 and EnsAD).
Information and documentation about the project (eng): here
Informations et documentation sur le projet : ici
information about the event: here
Dissect #4. Photos: Samuel Bianchini
PUBLICATIONS
niform - Samuel Bianchini
a catalog edited by Hercules Papaioannou
Published by Benaki Museum, Athens
and MOMUs - Thessaloniki Museum of Photography
November 2022
Internet of Things (IoT)
Samuel Bianchini in Laurence Bertrand Dorléac (dir.), catalogue de l’exposition “Les Choses. Une histoire de la nature morte”, coédition Liénart / musée du Louvre éditions, Paris, 2022, pp. 358-359
Attempts at explementation. Combining material and symbolic operations in art and design research
Samuel Bianchini in Patricia Ribault (dir.), Design, Gestaltung, Formatività. Philosophies of Making, Ed. Birkhäuser, Basel, 2022, pp. 355-365
R comme Robot
Samuel Bianchini in Clélia Zernik (dir.), Abécédaire de la beauté, Ed. B42, Paris, 2022, pp. 171-176
CONFERENCES
Samuel Bianchini, "Are the machines afraid of death? How and why design and share painful aesthetic experiences with robots"
Guest Keynote at ARTeFACTo (International Journal and Conference of Transdisciplinary Studies in Arts, Technology and Society) 2022 MACAO
24th and 25th of November 2022 online and at the University of Saint Joseph, in Macau S.A.R. (China), hosted by the Faculty of Arts and Humanities.
Information about the conference (eng) : here
Émergence de nouveaux modèles corporels
Les Rencontres de la Sorbonne avec Johana Riquier, Samuel Bianchini et Pierre Musso
Mardi 29 novembre 2022 à 19h sur ZOOM, Facebook et Twitch
Organisé par Le Carreau du temple avec l’Université Paris 1 Panthéon-Sorbonne
Informations sur la conférence et inscription : ici
HCM22: Human-Machine Collaboration in a changing world 2022
HMC22 is the second workshop in the Algorithmic Futures Policy Lab series, and will focus on identifying challenges and opportunities presented by collaborations between humans and algorithmic systems (including artificial intelligence powered systems) in an uncertain world.
HMC22 will be held in Paris (Dauphine University) and hybrid on 1-2 December 2022.
Information about the conference: here
Art & IA : Robot, dessine-moi un mouton
Samuel Bianchini et Florian Yger, podcast dans la série "Ex Machina, l'ère des algorithmes", avec Eric Nahon, IPJ Dauphine | PSL.
Podcast préparé par Dauphine Numérique, un programme de recherche pluridisciplinaire qui développe une approche humaine et pluridisciplinaire de l’IA, ses modalités, ses usages et ses effets sociétaux.
Accès : ici